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cavetocanvas: Hilma af Klint. Svanen. 1914.
Hilma af Klint. The Swan, No. 1. 1915.
dykehaus: Hilma af Klint, Group IX | The Swan, No. 1, 1915
barcarole:The Swan, No. 1, Hilma af Klint, 1915.
amare-habeo: Hilma af Klint The Ten Largest, No. 3, Youth, Group IV (1907) Courtesy Stiftelsen Hilma af Klints Verk via bildwerk
Hilma af Klint (Karlberg Palace 1862 - 1944 Danderyd); Alterbillede nr. 3, 1915; tempera on paper laid on canvas; Moderna Museet, Stockholm
blondebrainpower:The altar where “The Five”, including Hilma Af Klint practiced their séances.
Hilma af Klint Nudes & Noises
dykehaus:Hilma af Klint, Group IX | The Swan, No. 1, 1915
amare-habeo: Hilma af Klint - The Swan, No. 17 (1915) Group IX/SUW, The SUW/UW Series Courtesy Stiftelsen Hilma af Klints Verk via bildwerk
paintingispoetry:Hilma af Klint, Buddha’s Standpoint in the Earthly Life, No. 3a, 1920
arte-artem-artibus: Hilma af Klint - No Title, On the Viewing of Flowers and Trees, 1922, aquarelle et graphite sur papier© Stiftelsen Hilma af Klints Verk
arsarteetlabore: Swans - Hilma af Klint
thatsbutterbaby: Hilma af Klint
nobrashfestivity: Installation view, Hilma af Klint, Moderna Museet Malmö, 2020Photo: Helene ToresdotterModerna MuseetArt Blart
igormaglica: Hilma af Klint (1862-1944), Buddha’s Standpoint in the Earthly Life, No. 3a, 1920.
igormag:Hilma af Klint (1862-1944), The key to the work up to this point, n. 5, Group 3, 1907.oil on canvas, 150 × 118 cm
pintoras:Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019)